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アルバム・カヴァー・デザイナーが選ぶ「最も素晴らしいアルバム・ジャケット」 ピーター・サヴィル、ロジャー・ディーン他

2016/09/23 04:04掲載
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The greatest record sleeves – as chosen by the designers - The Guardian
The greatest record sleeves – as chosen by the designers - The Guardian
アルバム・カヴァー・デザイナーが選ぶ「最も素晴らしいアルバム・ジャケット」。英国の新聞The Guardianのサイトが著名デザイナー15人の「お気に入りのアルバム・ジャケット」を発表しています。ピーター・サヴィル、ロジャー・ディーン、ヴォーン・オリヴァー、ジョナサン・バーンブルック、マルコム・ギャレットほか

●The Beatles - The White Album (1968)
Chosen by Jonathan Barnbrook, creator of the sleeves for David Bowie’s Heathen, Reality, The Next Day and Blackstar


●Grateful Dead - Aoxomoxoa (1969)
Chosen by Roger Dean, designer of more than 100 fantastical album covers, most famously for Yes


●Kraftwerk - Autobahn (1974)
Chosen by Peter Saville, famed for his work with New Order, Joy Division and Factory Records


●Hawkwind - In Search of Space (1971)
Chosen by Malcolm Garratt AKA Assorted Images, designer of classic artwork for Buzzcocks, Magazine, Duran Duran and Simple Minds


●Iggy Pop - Lust for Life (1977)
Chosen by Vaughan Oliver, who defined the visual aesthetic of the 4AD label in the 80s


●Pixies - Doolittle (1989)
Chosen by Tash Willcocks, Manchester-based illustrator behind sleeves such as Elbow’s Asleep in the Back


●Rammellzee Vs K-Rob - Beat Bop (1983)
Chosen by Tony Hung, artist behind Blur’s The Magic Whip


●Joy Division - Unknown Pleasures (1979)
Chosen by Dan Hillier, winner of the 2014 Best Art Vinyl award for the cover of Royal Blood’s debut album


●Led Zeppelin - Houses of the Holy (1973)
Chosen by Carson Ellis, award-winning illustrator and sleeve designer for the Decemberists, Weezer and Laura Veirs


●Miles Davis - Tutu (1986)
Chosen by Cey Adams, designer of Def Jam Recordings sleeves from the Beastie Boys, Public Enemy and Jay Z


●Parliament - Motor Booty Affair (1978)
Chosen by Joe Buckingham, designer of various De La Soul sleeves including De La Soul Is Dead


●Marvin Gaye - Here, My Dear (1978)
Chosen by Scott Sandler, Grammy-nominated designer of artwork for everyone from Def Jam to Lil Wayne to the Rolling Stones


●U2 - Boy (1980)
Chosen by Alison Fielding, Beggars Banquet Group creative director, who has designed for the Prodigy, the Specials and the Horrors


●Bjork - Homogenic (1997)
Chosen by Rochelle Nembhard, who worked on the acclaimed cover for Petite Noir’s La Vie Est Belle


●Scritti Politti - Work in Progress EP (1979)
Chosen by Matthew Cooper, designer for Arctic Monkeys, Franz Ferdinand, Hot Chip and many more


詳細は以下のURLのページでご覧になれます。
https://www.theguardian.com/artanddesign/2016/sep/22/the-greatest-record-sleeves-as-chosen-by-the-designers